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Understanding 9/11Medieval and early modern film and media
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xiv, 279 p. : 25 cm
Includes bibliographical references (p. [249]-266) and indexes
Introduction. Film before and after new media, anec-notology, and the philological uncanny -- 1. The medieval and early modern cinematogrosphere : de-composing paratexts, media analogues, and the living dead hands of surrealism, psychoanalysis, and new historicism -- 2. The passion of El Cid and the circumfixion of cinematic history : stereotypology/phantomimesis/cryptomorphoses -- 3. Cutting and (re)running from the (medieval) Middle East : the return of the film epic and the uncanny mise-hors-scenes of Kingdom of Heaven's double DVDs -- 4. Le detour de Martin Guerre : "anec-notes" of historical film advisors, archival aberrations, and the uncanny subject of the academic paratext -- Epilegomenon. Anec-Post-It-Note to self : Freud, Greenblatt, and the new historicist uncanny
Includes bibliographical references (p. [249]-266) and indexes
Introduction. Film before and after new media, anec-notology, and the philological uncanny -- 1. The medieval and early modern cinematogrosphere : de-composing paratexts, media analogues, and the living dead hands of surrealism, psychoanalysis, and new historicism -- 2. The passion of El Cid and the circumfixion of cinematic history : stereotypology/phantomimesis/cryptomorphoses -- 3. Cutting and (re)running from the (medieval) Middle East : the return of the film epic and the uncanny mise-hors-scenes of Kingdom of Heaven's double DVDs -- 4. Le detour de Martin Guerre : "anec-notes" of historical film advisors, archival aberrations, and the uncanny subject of the academic paratext -- Epilegomenon. Anec-Post-It-Note to self : Freud, Greenblatt, and the new historicist uncanny
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